‘Scream’ is back, but it’s a dull blade short on scares

The original song ‘Scream’, directed by Horror master Wes Craven and written by Kevin Williamson, hit the theater in 1996 and changed the look of the slasher.

Bad identification of its kind was a fresh, bloody blow after a series of ‘Halloween’ and ‘Friday the 13th’ rallies disrupted live-action videos.

Now, 25 years and three more later, and for the first time without the knowledge of the late director Wes Craven and without author Kevin Williamson, ‘Shout’ is back to pick up another shot at the box office.

The first was a bonanza-box office, bringing in $ 173 million on a $ 14 million low budget. Not surprisingly, over time, follow-up revenue grew and box office dwindling decreased, with the latest film, ‘Scream 4’, bringing in $ 97 million over a $ 40 million budget.

The new ‘Scream’, written by James Vanderbilt and Guy Busick and under the direction of Matt Bettinelli-Olpin and Tyler Gillett, has a potential budget of $ 24 million, and even the audience may doubt the birth of Omicron’s surgery, expecting to be. first blockbuster of 2022. There are very powerful ones potential earns enough money over the opening weekend to be the first film to drop the juggernaut ‘Spider-Man: No Way Home’ to the top spot in the week box for the first time in a month.

‘Screaming’ defines itself only through its own way of introducing yourself to a slasher video as it does not start or repeat, but “repeats.” It has new characters, and also connects with the original video to revive the franchise.

Back in support of the fifth installment of the franchise are former members of Neve Campbell, David Arquette, and Courtney Cox, who repeat their roles as Sidney Prescott, Dewey Riley, and Gale Weathers respectively.

They have joined a large group of newcomers ‘Scream’, including star Melissa Barrera as Samantha Carpenter, Jack Quaid as Samantha Richie’s girlfriend, Jenna Ortega as Samantha Tara’s sister, Mikey Madison as Amber and Dylan Minnette as Wes, among others.

This story is like all other Scream movies. In the wreckage town of Westboro, there is a killer looking for a group of friends. They wear the face mask of a monster and torture those who were tortured before stabbing them to death.

The first ‘screams’ were as clear, visually appealing, strangely clever and sharp as a mass killing page. But after striking, stabbing, and shooting a dead horse near the dust, the clearance on his fifth voyage is as cold as a child’s plastic spoon into which he feeds his audience with very little water.

The film desperately tries to light the original fire, but it cannot, for the rest of its life, find any light. The new artists are a bunch of uncomfortable dullards, and even the return of Arquette, Campbell and Cox falls to the ground and sounds like a signal that the franchise is swaying rather than swaying.

In an effort to better understand himself, ‘Scream’ admits his failure when the characters are discussing how “Hollywood has no idea”, but admitting that you have stopped thinking is unwise.

And when the film has the muse characters “How can fandom be toxic?” and announce it “this time the fans have won!”, it sounds sad because fans aren’t winning when they release their hard-earned money to see a tired, unpredictable repetition of the past.

While I found the humorous, inward jokes about the Halloween franchise and especially ‘Once Upon a Time in Hollywood’ to be a little humorous, the truth is that it is not very realistic and not worth the allowance. .

‘Scream’ calls itself a slasher-whodunnit, so I won’t give up any distortions, but I can assure you, after a two-hour concussion of a video that, in its final episode, descends into a completely unconventional state, I would say it is less-whodunnit than blood-stained ?

The great sin of ‘Shout’ is that, unlike the original film, it is not smart, it is not smart, it is not fun, and worst of all, it is not threatening. ‘Screaming’ is not a scary movie – it’s just a scary movie.

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