268. Iranian film directors Maryam Moghadam’s and Behtash Sanaeeha’s feature film “Ghasideh Gave Sefid” (Ballad of a White Cow) (2020) (Iran) in Farsi/Persian language, based on their original script: Fallouts of the miscarriage of justice when an innocent person is executed for a murder he did not commit

And remember when Musa said to his people: “Allah commands you to kill an ox”

They replied, “Are you insulting us? ”

— “The Surah of the Cows” in the Holy Qur’an (opening words in this film)

Ineran continues to make impressive films, year after year, sex, nudity, chase after cars, and cyberbullying. Ballad of the White Cow is the story of a young nuclear family winner who was convicted of the murder of a court-appointed colleague, sentenced to death by a three-judge bench in accordance with Iranian law and why he was executed for the crime. Later, the killer actually confesses his crime. Injustice is rampant.

When the wife of an innocent murderer was rushed to the Supreme Court of Iran to justify her and her silent daughter and retaliate against the judges, one of the three judges became so enraged at the revelations of the actual killer and reached to help the woman and child of the murdered prisoner , did not disclose his identity, and he resigned as judge, much to the consternation of the courts and authorities, since he had merely enforced the existing laws. That same judge, among the three judges who rendered the verdict earlier, is keenly interested in reforming the case even before the Supreme Court decides that the wife and her child should be paid and that the judges be held accountable in some way. The film is a direct critic of the death penalty and the perversion of justice.

Mina (Maryam Moghadam) and her brother-in-law
based on the information that her husband has died
he was innocent and the real killer has revealed

TThe well-known punishment of the innocent woman Mina (played by writer and fellow director Moghadam) is a daughter, living in a rented house. If a foreign man, Reza (Alireza Sani Far), visits him to repay a “loan” he took from Mina’s husband, the landlord simply assumes that the tenant is engaging in sexual misconduct and asks Mina to leave immediately. . In Iran a single woman with a child who is unemployed will not be able to find a place to sleep quickly, even if she has money. Therefore, the film is not only about severe punishment and the loss of justice, it is also a commentary on single women / women in Iran. However, women in Iran enjoy more freedom and dignity than their counterparts in other Islamic countries, such as Saudi Arabia.

Mina tells her daughter Bita
that his father is far away

Reza is an ordinary person who has a conscience. His life as a judge was shattered by the swift judgment he and two other men had handed down on convincing evidence. Reza’s son, whose mother had died or divorced, was so different from his father that when he heard of his father’s involvement in the injustice, he rushed to the military and soon committed suicide. Reza has broken twice. But the good man does not have the courage to tell Mina that he was one of three judges who hastily sentenced Mina’s husband to death.

The Judge Reza (Alireza Sani Far) arrives at Mina
door without revealing its true identity, say it
he has come to pay back much money
her husband had borrowed her

Wthe next hat should be interpreted to remember the first words about the bull. A white cow is shown in a mosque (a thorny wire on the walls resembling a prison) designed to be slaughtered at the beginning of the film to help the viewer connect with the original words. Author Moghadam thinks of Mina as a laborer in a dairy factory, a metaphor linked to an innocent cow in the word. Mina seems to have finally accepted the murder of her husband as submission to the will of Allah (God) as a good Muslim. When Mina realizes that her husband is innocent she finds that she and her mute daughter appear to have been “insulted” by the judges. The “humiliation” extends to Mina, who is already worried about the judges, her first landlord, and Mina’s mother-in-law is trying to extort “blood money” or compensation from the government, adding that Mina lost. his work in the dairy factory due to the strike. The ending of the film may confuse ordinary viewers but if the viewer realizes that Mina is smart, the ending is easy to interpret. This story can be seen as a modern metaphor. The story is a fascinating argument from a sympathetic judge and that the victim may or may not be able to forgive. The viewer is left to their own devices.

Reza in realizing Mina’s problems of finding
the new house gives him the house he owns
who lie untouched by cheap rent

Mina and Bita are preparing for an uncertain future

MMaryam Moghadam (pronounced Moqaddam in Wikipedia) and Mr Behtash Sanaeeha and the rare male and female team making their first film Ballad of the White Cow as co-directors of the award-winning New Director at the Valladolid International Film Festival in Spain in 2021. The Uruguay / Mexico family of Rodrigo Plá and his wife Laura Santullo and another group made their first film as fellow directors. In both men and women, the woman is the secretary general of the award-winning sport. Unlike Ms Santullo who has never tried to take action, Ms Moghadam is an athlete, she has worked as a performer at Jafar Panahi’s. Closed curtain (2013) is her husband’s first film Risks of Acid Rain (2015) and several other movies and TV shows. Ms Moghadam’s writings are based on video Biting (1972), was made in Iran prior to Ayatollah, the film that his daughter, Bita, loved very much, after whom the title of the film was named. Bita, though speechless, can hear and enjoy movies and loves movies. Kanemayo Ballad of the White Cow is given to “Mina,” which some consider to be the name of the mother of the playwright. If this is true, Bita’s little love for movies is just a myth of a fellow director.

PS Ballad of the White Cow
has won, with the exception of the Valladolid award mentioned above, the Best Film award at the Jerusalem Film Festival (Israel), an indescribable honor due to the fact that not much love was lost between Israel and Iran. The film is currently vying for the Krzysztof Kieslowski Prize for best film at the Denver film festival. The first film directed by Rodrigo Plá and his wife Laura Santullo Another Tom has already been reviewed on this blog. (Click on the title of the movie in this post to get a comment)

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